This book is the first to identify an interpretive path through Paleolithic cave art that can provide plausible meaning to the animal figures in the Lascaux cave in France. The artwork was created during a period described as the Creative Explosion, spanning from 35,000 to 11,000 BC. The author has found that the artists, or shamans, have left clear evidence of aspects of their worldview and by using ethological evidence, such as a bison shedding its winter coat to identify spring as the season portrayed in a specific panel, he adds a level of certainty to his interpretations.
In sum, this book argues that the cave art describes the journey of the soul from the spirit world to the natural world and back, and that it identifies a spectrum of consciousness involving the five traditional senses: sight, smell, touch, taste and hearing. Moreover, the book explores the hunting strategies employed early survival groups which are depicted in the cave art. The role of the shamans' impact on the artwork is also addressed.
Gary Maier has written a thriller of the best kind: the mystery is ever out in front of his every sentence and the mystery he faces is that of himself as well as that of the Indian mounds. He excavates himself as unravels the mystery of the bodies and their burial. The book is a page-turner. The expertise he brings to it is fascinating.
The Eagle's Voice is unlike anything I have read dealing with the obvious symbolism of the effigy mounds.... Most Indian people recognize a 'feel' whenever they walk onto a site. I think this is what Gary Maier is trying to help the reader understand, and I believe he does a good job of it.
This website identifies and discusses the symbol systems used by our Sapiens ancestors where animal figures are the graphics that provide the meaning of the communication. Paleolithic cave art from around 40,000 to 11,000 BC and earthworks shaped into animal effigy mounds from around 750 to 1250 AD both use animal figures governed by convention-specific symbols to describe aspects of their worldview. This includes hunting strategies and their belief in an after-life. These communitive creations arose from the inspiration of shamans and were crafted by skillful artists toward culture-specific goals as part of a shamanic tradition which integrated the natural, cultural and spiritual worlds.
Those under the sole influence of the scientific model are becoming aware that the basic paradigm governing early social systems evolved from the graphic to the oral to the pictorial to the written traditions. As more cave art is discovered repeating patterns in the animal figures have become more apparent. Then some Tribes responsible for the earthworks have become more comfortable in sharing the meaning of their symbol systems which has provided an opportunity to better understand their worldview.
Gary Maier has written a thriller of the best kind: the mystery is ever out in front of his every sentence and the mystery he faces is that of himself as well as that of the Indian mounds. He excavates himself as unravels the mystery of the bodies and their burial. The book is a page-turner. The expertise he brings to it is fascinating.
UW-Madison
In the 1850’s the elder Da-coo-dah said he could read the effigy mounds like a White Man reads a book. Dr. Maier’s work has helped show that what Da-coo-dah said about encoded knowledge is true. In this book, Dr. Maier presents an interpretative model that helps reveal the knowledge encoded in the Lascaux Cave.
James P. Scherz, Professor Emeritus, University of Wisconsin-Madison, USA
Professor Emeritus, UW-Madison
Dear Gary, Congratulations on your impressive book…..The amount of detailed work that went into the book is impressive. Of course I have seen your impressive articles in the JTP and am delighted you pulled them and more together for your book. I’m happy that my work on The World of Shamanism was helpful for yours. All best wishes Roger.
Roger Walsh, Professor of Psychiatry, UC at Irvine
What Gary Maier shows us in these courageous pages is that imagination, is the end, may very well be the best tool we humans can employ in our attempts to unlock the secrets of our prehistoric past.
Wisconsin Public Radio
This man, void of the Ho-Chunk tongue, seems impressive in his detailed expression of the sweat lodge and the function of the mounds in relation to stars, man, beast, and the ultimate end.
Ho-Chunk Elder