References


Paleolithic Art: General References

  1. Bruno, David. Cave Art. London: Thames & Hudson. 2017.
  2. Lewis-Williams, David. (2002) The Mind in the Cave. London: Thames & Hudson,
  3. Clottes, Jean. (2016) What is Paleolithic Art? Cave Paintings and the Dawn of Human creativity. Chicago: University of Chicago Press.
  4. Peet, S. D. (1890) Prehistoric America: Emblematic Mounds and Animal Effigies, Volumn II Antiquarian Library. Chicago, Ill.
  5. Radin, P. (1923) The Winnebago Tribe. University of Nebraska Press, Lincoln.
  6. Rosebrough, A. (2014) Monuments and Mysteries: Social Geography of the Effigy Builders. The Wisconsin Archeologist: 5-28.
  7. Rowe, C. W. (1958) A Crematorium at Aztalan. The Wisconsin Archeologist, 39 101-110.
  8. Sanford, D. (2015) On Fourth Lake: A Social History of Lake Mendota. Commodore Press.
  9. Scherz, J. P. (1987) New Surveys of Indian Mound Layout. The Journal of the Wisconsin Academy Review
  10. Scherz, J. J. (1988) The Monona Mound at the Bloom Site. Ancient Earthworks Society, Madison, WI.
  11. Smith, D. L. (1997) Folklore of the Winnebago Tribe. University of Oklahoma Press, Norman.
  12. Storm, H. (1972) Seven Arrows. Ballantine Books, New York.
  13. Turner, F. (1980) Beyond Geography: The Western Spirit Against the Wilderness. The Viking Press. New York.
  14. Volkert, W. K. and Sampson, K. A. (1923) Indian Mounds of the Horicon Marsh and Upper Rock River. Puffbird Press, Inc. Campbellsport, MA.
  15. Von Petzinger, Genevieve. (2016) The First Signs: Unlocking the mysteries of the world’s oldest symbols. New York: Simon and Schuster (Atria Books).
  16. Walsh, Roger. (2007) The World of Shamanism: New Views of an Ancient Tradition. Woodbury, MN: Llewellyn Publications.
  17. Wilber, Ken. (1983) Up From Eden. Boulder: Shambhala Press.
  18. Wilber, Ken. (1980) The Atman Project. A Transpersonal View of Human Development. Wheaton, IL: Theosophical Publishing House


Author Specific References-Paleolithic Art

  1. Maier, Gary. J.(2023) Interpreting Sapiens’ Consciousness through Paleolithic Cave Art: The Lascaux Testament. Cambridge Scholars Publishing.
  2. Maier, Gary. J., Musholt, Edmund. A., Stava, Larry . J. (2019) An Interpretation of the Famous Scene in the Lascaux Cave and its Connection to Paintings at the Cave Entrance. The Journal of Transpersonal Psychology. Vol 51 No2.
  3. Maier, Gary. J., Musholt, Edmund. A., Stava, Larry, J. (2020) The Lascaux Cave: Integrating All the Figures in the Hall of Bulls. The Journal of Transpersonal Psychology. Vol 52, No1.
  4. Maier, Gary. J., Musholt, Edmund. A., Stava, Larry. J. (2020) Evidence of the Evolution of Cognitive Consciousness in the Artwork Completed During the Paleolithic Period in the Lascaux Cave: Part 3. The Journal of Transpersonal Psychology, Vol 52, No2.
  5. Maier, Gary. J., Musholt, Edmund. A., Stava, Larry. J. Lascaux Cave, (2021) Part Four: Evidence of Hunting Strategies Identified in Paleolithic Cave Art. Vol.53, No. 1.
  6. Maier, Gary. J., Musholt, Edmund. A., Stava, Larry. J. Lascaux Cave, (2022) Part Five: Shamanic Consciousness Embodied in Shamanic Figures Created During the Paleolithic Period in Caves in Southern Europe. Vol.54, No. 1.


Effigy Art: General References

  1. Birmingham, R., and Eisenberg, L. (2000) Indian Mounds of Wisconsin. University of Wisconsin Press, Madison, WI.
  2. Hall, R. L. (1997) An Archeology of the Soul: North American Indian Belief and Ritual. University of Illinois Press. Urbana and Chicago.
  3. Lapham, I (1910) Wisconsin’s Past and Present: An Historical Atlas
  4. Lenzendorf, D. (2000) A Guide to Effigy Mounds National Monument. Eastern National Press, Washington.


Author Specific References- Effigy Art

  1. Maier, Gary. J. (2001) The Eagle’s Voice: Tales Told by Indian Effigy Mounds. Madison: Prairie Oak Press.
  2. Maier, Gary. J. Patterns Found in Effigy Mound Groups as a Symbol System. In press
  3. Youtube Presentations